Tuesday, 26 May 2020

Bayeux Tapestry : The pivotal scenes of the Battle of Hastings

The Bayeux Tapestry : The Pivotal Frame

Frame "None" ( Scenes 53b to 56 on Wikipedia Tituli) 

Let’s start by agreeing what the Bayeux Tapestry shows. My source is David M Wilson’s book “The Bayeux Tapestry” although I will use the Wiki references.  The start of the frame is shown underneath the black horse facing left in Scene 53b where there is what looks like a drooping branch followed by a patch of raised ground with spikes protruding. Between the hind legs of the said black horse there is a fallen knight. This is followed by four horses in various stages of distress before the ground is shown to rise. On top of the rise (Scene 54) are unarmoured men with spear and shield. In the foreground there are two fighters, the one in black looks to be better equipped than the others with axe and sword while his compatriot just looks scared and is facing towards the rear of the defended ridge. Above and slightly to the right of the scared spear holding Englishman stands another man blowing what seems like a raspberry to a Norman knight attacking the rear of the ridge. The next figure is a mounted knight facing right followed by a knight facing left. There follows four mounted knights before we meet Duke William with his helmet raised and Odo (or Eustace?) who is doing the pointing (Scene 55 and 56).

I see the battle on the Tapestry as being time stamped with frames and cameos. This frame being at None or three in the afternoon and consisting of two cameos.

Previous interpretations

According to E.A Freeman, the first cameo is an out of place depiction of the “Malfosse”. My response to that interpretation is to question why there seems to be two Norman knights facing the “wrong way” as the Malfosse incident is supposed to be Norman knights PURSUING the fleeing English troops. Additionally, nowhere else on the Tapestry does it portray an event out of the time sequence. So why here?

The second interpretation I’ve read about, again of the first cameo, is that some troops had gained a hillock during the battle and defended it successfully for a while, the spikes I refer to above being reeds protruding from a stream. My problem with this interpretation is that these troops ignored the plight of the Huscarls some hundreds of metres away so why didn’t the Huscarls reposition themselves here or vice versa?

To me, both interpretations of the first cameo were made to maintain the narrative that there was one nine- hour long battle for the throne of England.

My interpretation

  For me, this is the start of the main engagement as it consists of the King, late arriving Huscarls and the rest of the army on the English side.  The first cameo depicts Norman knights attacking English troops at one end of the ridge (hence the two men at a lower level than the others) and not making a good job of it. For me, the raised ground and spikes are “anti-horse traps” the troops had spent most of the day constructing.   The second cameo overlaps the first as it starts with a black horse facing away from the fighting but finishes with whomever is pointing out William. This represents the written reports of the Norman knights routing and being rallied by William.

 

Conclusion

It is reasonable to suggest that the above frame depicts what would be the real start of hostilities as both protagonists are present ( Harold II and William) but in doing so the battle only lasts 3 hours and therefore is nothing special in terms of a feat of arms. By including the first skirmish that occurred at around Tierce (09:00) and the death of Harold II at Vespers (18:00) the whole battle has been made to look heroic.

Perhaps the Bayeux Tapestry has made too much of the first skirmish because in doing so it has made historians try to align the written reports with the “wrong” part of the Tapestry.

You tube video - https://youtu.be/_vjAJ_xk20k

Monday, 4 May 2020

Battle of Hastings: Clues from Documentary Sources


Clues from Documentary Sources

Carmen de Triumphomannico



According to the translation of the Carmen (Tyson, 2014) by Kathleen Tyson we have this
Line 341           Ordine post pedites sperat stabilire quirtes
Line 342           Occursu belli set sibi non licuit
Line 343           Haut procul hostiles cuneos nam cernit adesse
Line 344           Et plenium telis irradiare nemu
Which according to Tyson translates to:

He intended to station his lancers behind his infantry
But encountering battle he was not allowed
For he saw the approach of enemy columns not far off
And the woods full of gleaming weapons.

That, to me, speaks of William being involved with one engagement but seeing more troops not far away unengaged. This corroborates to me that there were two engagements.

Also, we have the lines 363 and 364

Line 363           Ex inproviso diffudit silva cohorts
Line 364           Et nemoris latebris agmina prosiliunt

Translation

Suddenly, a company [of English] emerged from the forest
And the column rushed from wooded cover.

The “Carmen” then describes where the King was -

Line 365           Mons sylvae vicinus erat vicinaque vallis
Line 366           Et non cultus ager asperitate sui
 
Translation
Nearby was a wooded hill, neighbouring the valley,
Its terrain was rugged and uncultivated.

 
Line 373           Ascendit montem rex bellaturus in hostem
Line 374           Nobilibusque viris munit utrumque latus
Line 375           In summon montis vexillum vertice fixit
Line 376           Affigique jubet caetera signa sibi

Translation
The King ascended the summit that he might wage war in the midst of his army,
And the nobleman flanked him either side.
At the summit of the hill a streaming banner was planted.
[King Harold] ordered the other battle standards planted by it.

Unless the English were daft enough to attack uphill a superior force, the “hill” that Battle Abbey sits on cannot be the hill mentioned in Line 365 as the Normans mustered in the area of their upper fort.
Finally, the Carmen makes mention of Gyrth, brother of Harold, unhorsing William in lines 471 through to and including 475. According to the Carmen, this comes after the rally of the knights at the second encounter and before William unseats a friendly (?) knight and steals his horse. However, according to the Bayeux Tapestry, Gyrth is killed during the mopping up operations at the end of the first encounter. Which is right?

William of Poitiers

Awaiting funds to buy the book as I cannot find any references online.

Orderic Vitalis

Awaiting funds to buy the book as I cannot find any references online.

William of Malmesbury

Presently trying to decipher.       

Henry of Huntingdon (Forester, 1853)

Henry describes Harold as “making a rampart” out his troop deployment on page 212 [ Book IV AD 1067-1071] and even describes the static defences in front of Harold’s troops.  This description reminds me of Scene 54 of the Bayeux Tapestry.

The Chronicle of Battle Abbey

From “The Battle of Hastings 1066: The Uncomfortable Truth” (page 93) (Grehan, 2012)

The Chronicle was written in order to convince the Bishop of Chichester that William had ordered the building of the Abbey “in the exact spot where his enemy had fallen”. Unfortunately, the document is considered a forgery made by the Abbot to convince the Bishop of Chichester of the rightness of the Abbey to remain a “Royal Peculiar”. As with any skilled forgery, the document must have been a blend of truth and fiction. Over the years, most historians have come to believe the part that I consider false and dismiss the other parts of the manuscript.

Since no archaeological evidence has been found on the official battle site perhaps it is time to re-examine the Chronicle and re-evaluate it. 

An extract from the “Chronicle of Battle Abbey” states:

“… They studied the battlefield and decided that it seemed hardly suitable for so outstanding a building [my emphasis]. They therefore chose a fit place for settling, a site not far off, but somewhat lower down, towards the western slope of the ridge. There lest they be seen to be doing nothing, they built themselves some little huts. This place, still called Herste has a low wall as a mark of this.
…”

So, the monks had a look at the battlefield and deemed it unsuitable for a magnificent Abbey. They chose a location that was both lower in elevation and closer to the ridge that runs from Battle to the other side of Hastings than the battlefield itself. The present-day location of the Abbey seems to fit in with the monks’ choice.

Also, it seems part of the battle was fought not on the pinnacle of a hill but rather in a dip on a plateau. This describes the fields between Wadhurst Lane and Ashes Wood. If this part of the text is true then the locations, Senlac Ridge, mini-roundabout and Caldbec Hill cannot be battle locations because the places are all rather prominent locations.

… Accordingly, when the King enquired meanwhile about the progress of the building, it was intimated to him by these brethren that the place where he had decided to have the church built was on a hill, and so dry of soil and quite without springs [my emphasis] and that for so great a construction a more likely place nearby should be substituted, if it pleased him. When the King heard this he refused angrily and ordered them to lay the foundations of the church speedily and on the very spot where his enemy had fallen and the victory won.”

So here the monks actually describe the real battlefield – it was on a hill with no nearby springs. Again, Battle Abbey fails the test as does the mini roundabout site because they are ridge sites.  Caldbec Hill passes this test but fails the previous.


Friday, 1 May 2020

Battle of Hastings: New Interpretation of the Bayeux Tapestry


New Interpretation of the Bayeux Tapestry

 I will use  https://en.wikipedia.org/wiki/Bayeux_Tapestry_tituli   as the source for the Bayeux Tapestry illustrations so as to create a common point of reference. I will use scene numbers to refer the reader to the exact point on the Tapestry where I would like to direct their attention

Structure of the Tapestry 


 I will be referring to “frames”, "cameos" and  referring the reader to the equivalent “scenes” on the Wiki page. Frames, which are more suggestive of movement in a cartoon, are individual pictures on the Tapestry that can be viewed in isolation. For instance, one such frame on the Tapestry starts at the left-hand side of Scene 52b and finishes just to the left of centre in Scene 53 (black horse and rider facing left). However, a frame can have one or more “cameo”s depicting events that happened in close proximity timewise


My interpretation of the Bayeux Tapestry starts on Scene 48 where it is thought that picture shows the Norman knights setting off to meet the English.  It ends on Scene 58 with the Fyrd running away from the battle scene.

Scene 48 to 49 

This shows the Norman knights traversing fairly flat terrain finishing with a knight pointing, with raised arm, to the English. Notice however, that the terrain that the Normans cross is relatively flat. This does not match the terrain between the coastal fort and the location of the muster point. This leads to one of two conclusions. Either the Tapestry is wrong, or William travelled to the area from a place other than Hastings. Assuming the Tapestry is right, where else could William have been? It turns out that the Abbey at Fécamp (where Edward the Confessor spent time whilst exiled, allegedly), had a manor in the vicinity of Guestling and Kathleen Tyson asserts in her translation of the Carmen that William was there just prior to the battle.  It seems to me therefore that the Tapestry is showing the correct terrain and that William was at a location other than Hastings. 

Frame "Lauds ( Dawn or about 07:00) 

This frame runs from Scene 49 to Scene 50 and depicts the Normans gathering at the muster point at Telham and pointing out the English while on the English side it depicts the Normans being spotted by the English and Harold being informed.

The first cameo shows two Norman knights on the top of the hill between present day Battle and Hastings. It omits the hilltop fort which according to experts the Normans always built on their campaigns in France but if we are to match the terrain from the Tapestry to the modern landscape, then what we are looking at in the cameo is a cross section of the ridge that runs from the turning for Battle Station to the Castle at Hastings. Given in the previous section the knights where moving along flat ground then I’m assuming that the footpath from Kent Street to Telham by the Black Horse pub was the route used and that the Normans are assembling in the vicinity of the Black Horse public house.

The next cameo highlights the English response. The usual explanation of this cameo is that this is the English “scouts” on Caldbec Hill spotted the Normans to the south and who then rushed off to tell Harold.  Both Englishmen are depicted as Huscarls dressed in armour – hardly suitable attire for “scouts”. And yes, the designs on each of the shields are different so this could be indicating that these are different people. 

The location of the Huscarls is problematic. If the Huscarls were camped on Caldbec Hill the Normans on the hill opposite would have no reason to use an alternative path off the Hastings peninsula and should have continued along the main London to Hastings route and the first encounter would have taken place at the roundabout at the top of Battle High Street but then there would be no need for the Huscarls to mount their horses in order to ride the 700 metres to the encounter as per Orderic Vitalis‘s account.

If the Huscarls were located at Beechdown Wood, then two possibilities exist for the site of the first encounter;

The roundabout at the top of Battle High Street 

The Normans, knowing Harold was in the vicinity of Netherfield, struck out along the modern
 A 2100. The Huscarls then rode to the roundabout from their overnight camp and gave battle. 
2

      Area of flat ground to the NE of Catsfield.

The Normans, seeing the Huscarls, struck out along the alternative route towards Catsfield. The Huscarls then rode to meet the Normans at what they thought was “a good spot” in a meadow called “Scan- leag”.

There is also a timing issue. The Sun would not be behind the Normans until after 08:00 if the Huscarls were situated on Caldbec Hill but from Beechdown Wood the Sun would be behind the Normans between 06:45 and 07:15 and low down necessitating the shielding of the eyes.




                                    Event               Bearing            Sun Elevation             Time
Caldbec Hill    
                                    Sunrise             106°                                                   06:26 GMT
            Norman Muster point - 10°     127°                       14°                          08:13 GMT
            Norman Muster Point              137°                       19°                         08:58 GMT
            Norman Muster Point + 10°    147°                       23°                         09:38 GMT

Beechdown Wood
                                    Sunrise             106°                                                  06:26 GMT
            Norman Muster Point              approx 111°                                      06:57 GMT
            Norman Muster Point + 10°    approx 121°        10°                            07:43 GMT

* Data taken from https://www.timeanddate.com/ for Hastings UK 21 October 2019 (equates to 14 October 1066 Julien Calendar) and Google Earth. The first engagement starts at approx. 09:00 GMT (Tierce).

Thus, in my opinion, the narrative becomes “…. Lead elements of King Harold’s Army had camped in Beechdown Wood for the evening of the 13th and on the morning of the 14th October 1066 spotted the Norman Army on the hill to the south east ...”

Frame "Tierce" ( about 09:00)

This includes Scenes 51, 51b and 52a

We are now shown the Normans charging the English shield wall on Scenes 51 and 51b. On Scene 52a we see the English drawn up behind their shields forming their famous shield wall. This frame continues on Scene 52a where we see the Normans attacking from the opposite direction. I interpret this as saying that the Normans advanced until they made contact with the English and subsequently surrounded them. Notice that all bar one person is wearing armour- the mark of a Huscarl, the other person is depicted as being an archer. So, the narrative here, in my opinion, is “The Normans attacked the Huscarls from all sides …”  I estimate that Harold sent about 2500 Huscarls forward to delay the Norman approach long enough to allow the Fyrd[1] to dig in and to allow late coming Huscarls time to catch their breath.  There is another body of men missing from this frame, namely the Norman infantry. I think there are two reasons for this.

Reason 1: The Norman infantry did not acquit themselves well in the first engagement. Each year there is a re-enactment on the “Official” battlefield and each year the public outcome is the same. However, in the evening after the public have gone home the re-enactors have a “private” battle in which the superior strength and tactics of the Huscarls always win out. So, it is conceivable that if William had had fewer knights in his army then perhaps the invasion could have been stopped here.

Reason 2: The Tapestry was produced as a piece of propaganda to show the inhabitants of Normandy the prowess of their leaders. Rather like a politically biased newspaper of modern times, the Bayeux Tapestry only tells the story that the “owners” want to be told.

That brings me to the question of where this engagement took place. The Bayeux Tapestry offers no clues as to where because this was not the main event. It could be that the Huscarls formed up at the roundabout at the top of Battle High Street or to the northeast of Catsfield, we may never know for certain. Orderic Vitalis calls the place where this engagement took place “Senlac”. It has been suggested that this name comes from the Saxon “Scen-leag” meaning “beautiful meadow” (Charnock S).

Frame "Sext" ( about 12:00)

This runs from Scene 52b until the black horse facing left in Scene53 and depicts the “mopping up” operations after the shield wall collapses.

The Tapestry makes a point in saying that the kin of Harold - Gyrth and Leofwine, are killed during this engagement as if to make the point there was no one left to “inherit” the throne of England.

Frame "None" (about 15:00)

This runs from beneath the black horse facing left in Scene 53 to whomever is pointing out William in Scene 55 (Scene 56a seems to be identical). This frame depicts, in my opinion,  the initial assault on the English Fyrd line, the subsequent rout of the knights and the following rallying of said knights by William and Odo. 

My view of this frame is that it represents a new attack on troops that had been given time to prepare stout defences against the Norman knights. We know from earlier in the Bayeux Tapestry that Harold had spent time as William’s “guest” in Normandy and so Harold would have been familiar with the tactics of the Norman knights. Harold, earlier in the day had sacrificed about 2500 Huscarls in order to give himself time to prepare the defences to protect his lesser able troops and late arriving Huscarls. And it very nearly worked.

Frame  "Vespers" ( about 18:00)

This runs from Scene 56 to just left of the centre of Scene 58. This frame shows the English line being overrun, death of King Harold and the subsequent death of the remaining Huscarls.

This is, maybe, the penultimate frame on the Tapestry. The narrative has a gap from the Norman knights being rallied to essentially the extermination of the English Army. There is nothing controversial in this frame other than the “arrow in the eye” incident. It looks like King Harold is trying to pull the arrow out but is not shown to be in distress. The next cameo shows King Harold being slain by a knight. I think the arrow in the eye is very much a disabling injury and not a fatal one as evidenced by two members of the rapidly departing Fyrd in Scene 58.

One may notice Huscarls being amongst the combatants in this frame and start to wonder why they hadn’t joined their fellows in the first engagement in the morning. The reason could be one of two. Firstly, these are late arriving Huscarls who arrived after the lead elements had set off to halt the Normans. Secondly, these Huscarls depicted could be the personal bodyguard of King Harold II.

Frame "Compline"? (about 21:00)

Again, this runs from a black horse just to the left of centre in Scene 58 to the end. This frame could just be part of the previous frame showing how the different parts of the English Army dealt with defeat (Huscarls fought to the last man while the Fyrd ran) or it could be portraying the early stages of the Malfosse incident as a separate frame.

Conclusion of my Interpretation of the Bayeux Tapestry

Although I have drawn different conclusions on only 10 scenes of the Bayeux Tapestry, I think that I have a more coherent understanding of how the battle unfolded and why it is reputed to have lasted 9 hours instead of the usual 2 to 3 hours. 
Using the current view (http://historylearning.com/medieval-england/bayeux-tapestry/bayeux-tapestry-scene-by-scene/) of the Bayeux Tapestry from Scene 48 to Scene 58 gives:-

1.      The Normans ride into battle.
2.      William leads the Army.
3.      Harold prepares for battle.
4.      The Normans attack.
5.      The English are attacked on all sides.
6.      The Battle continues.
7.      The slaughter continues.
8.      William’s horse falls.
9.      Harold is shot in the eye.
10.  The Normans are victorious.

N.B Each statement is supported by one or more sentences on the website




             Lauds
1.      The Normans spot the English
2.      The lead elements of the English army spot the Normans and rush to inform King Harold.
Tierce
3.      The Normans set off to meet the English.
4.      The Huscarls have managed to form their shield wall but the Normans attack from all sides.
Sext
5.      The Normans prove too strong for the Huscarls but the Huscarls fight and die to the last man as they are trained to do.
6.      The Normans dispatch the last of the Huscarls.
None
7.      Norman knights take casualties due to unseen defences at the new battle line. A few knights manage to launch their spears / light lances, but the defences hold. 
8.      Eventually the knights panic and rout due to the number of casualties.
9.      William rallies his knights by showing his face.
Vespers
10.  The English position is overrun and King Harold II killed.
11.  The remaining Huscarls take as many Norman knights with them for company as the Huscarls follow their leader into death.
Possibly Compline
12.   Some members of the Fyrd escape into the woods.

One final point to make. If King Harold II is killed at around Vespers, then my interpretation of the Bayeux Tapestry would make the second engagement the main engagement and the engagement with the Huscarls just a preliminary.






[1] The Fyrd are the Light infantry of Saxon England being made up of less able troops.